Solo Exhibition at Art Brussels 2013

souls-tongeren-detailDetail from All Souls (Tongeren) 2013

April 18 -21, 2013
Galerie Lelong Paris  presented a solo exhibition of the artist’s work at Art Brussels 2013.

Collaged Monoprints at Pace Prints, NY

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A Room of One’s Own (Picasso), 2013, Hand-colored relief print with collage, 35 x 56 1/4 inches, Monotype, Published by Pace Editions, Inc.

January 25 – March 2, 2013

Pace Prints was pleased to present Collaged Monoprints, an exhibition of new hand-colored monoprint drawings by Jane Hammond, created in the Pace Paper studios in Brooklyn, New York. This is Hammond’s fourth solo exhibition with Pace Prints.

A Room of One’s Own, the title given to each of the large-scale works in Hammond’s exhibition, describes the individuality of the depicted interior space based upon its invented composition, color and collaged elements. In this body of work, as always, Hammond works in a method of recombination, making an array of figures, animals and objects, combining and recombining them to create myriad and changing associations in each collage. All of this play occurs inside a recurring Renaissance-style room, with deep perspectival space. Each room is extensively hand-painted and contains up to seventy elements, individually cut out and collaged into the space. Hammond’s capacious hand-painting is combined with relief printing, linoleum block printing, etching, digital printing and rubber stamping in all of the works.  To read more about the exhibition visit Hammond at Pace Prints

Jane Hammond Selected to Receive Anonymous Was A Woman Grant

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“Diving Board Couple,” 2012, Acrylic paint on mica over Plexiglass with silver, gold, copper and palladium leaf, 51.5″ x 31″ x 3.75″

October 19, 2012
Anonymous Was A Woman has announced the ten artists selected to receive the Foundation’s seventeenth annual awards.  The grant enables women over 45 years of age and at a significant junction in their lives or careers, to continue to grow and pursue their work. This year’s winners include Ann Agee, Uta Barth, Andrea Fraser, Jane Hammond, Mary Kelly, Jae Ko, Judy Pfaff, Betye Saar, Lorna Simpson and Jessica Stockholder.  To read more about the award and this year’s winners visit Anonymous Was A Woman

Conversations from the Print Studio from Yale University Press

print-studio-yale-publication

Front Cover

Master Printer Craig Zammiello and Curator Elizabeth Hodarmarsky engage in lively discussions with 10 contemporary artists including Mel Bochner, Carroll Dunham, Ellen Gallagher, Jane Hammond, Suzanne McClelland, Chris Ofili, Elizabeth Peyton, Matthew Ritchie, Kiki Smith, and Terry Winters. These conversations follow ten unique projects from inception to completion, tracing each artist’s initial vision, the artist’s and printer’s creative strategies, and reactions to the final product. By documenting the dual perspectives of artist and printer, the book reveals recent innovations in the field of printmaking as well as the collaborative nature of art-making itself. The result is a rare behind-the-scenes excursion into the workings of the contemporary print studio. To learn more about the book visit Yale University Press

ALBUM: Organisationsform narrativer Koharenz

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Front Cover

By Anke Kramer and Annegret Pelz
The artist’s work is on the cover (above) and other work and an essay by her is featured in the text of ALBUM, a collection of scholarly contributions by professors, critics and investigators on the history of the organizing metaphor of albums and the current forms of album making activity in practices of art, science and social media. Published by Wallstein Verlag Publishing.  In German only.

Houdini: Art and Magic Finishes Tour at the Madison Museum of Contemporary Art

houdini-red-room

Untitled (221 181. 275. 156, 227), 1991-1992, Oil on canvas, 76″ x 70″

February 11 – May 13, 2012
Organized by the Jewish Museum in New York, this first exhibition in a major American art museum on the master magician and his lasting influence on visual culture Houdini: Art and Magic features magic apparatus, posters, broadsides, period photographs, archival files and contemporary artworks inspired by the magician and escape artist.  Works by the artist, Matthew Barney, Petah Coyne, Vic Muniz, Deborah Oropallo and Raymond Pettibon are included in this exhibition. The exhibition traveled throughout 2010, 2011 and 2012 from the Jewish Museum in New York to the Skirball Cultural Center, Los Angeles; the Contemporary Jewish Museum, San Francisco and the Madison Museum of Contemporary Art, Madison, Wisconsin.  To read more about the exhibition please visit Houdini: Art and Magic

Fallen Returns for Exhibition in New York

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Installation view at the FLAG Art Foundation of Fallen 2004  –  2012.     Color inkjet print, printed from digital file recto and verso, on archival paper, cut, with matt medium, Jade glue, fiberglass strand, sumi ink and additional handwork in acrylic paint and gouache, and hand-made cotton rag paper, 12″ x 288 ” x 84 ”

Fallen at the FLAG Art Foundation in Chelsea
September 23 – December 31, 2011
Fallen was recently on exhibition at the FLAG Art Foundation on West 25th Street in New York.  This exhibition began with 4455 leaves.  To read more about this installation visit Fallen at the FLAG Art Foundation

Fallen”is now briefly depicted in the Whitney’s virtual tour of their new downtown building set to open in 2015.  This video can be viewed at the Future Whitney: A Preview

Fallen, acquired by the Whitney Museum of American Art, was displayed at the museum in a Fall 2007 exhibition of recent acquisitions entitled “Two Years.”  The piece was then exhibited in “On the Margins” at the Mildred Lane Kemper Art Musuem in St. Louis.  That exhibition was accompanied by a publication with text written by Eleanor Heartney and Paul Krainak.   “Fallen” was later displayed in solo exhibitions at the Wexner Center for the Arts, the Museum of Contemporary Art San Diego, the Taubman Museum of Art in Roanoke, VA and then at the FLAG Art Foundation.

Find more information about these exhibitions at Wexner Center for the Arts.  See image below to read the wall text from the exhibition in San Diego.  Click here to view pictures of the artist installing the piece at MCASD Set on Flickr

Fallen was featured and more fully considered in the history of war memorials, in an essay by Amanda Potter in the 2009 summer issue of the Smithsonian’s Archives of American Art Journal.

Fallen was previously featured in an article by Faye Hirsch in the April 2008 issue of Art in America.

The leaves in Fallen have been made by the artist, they are not real leaves.  They are based on leaves gathered in the Autumns of 2004, 2005, 2006, 2007, 2008, 2009, 2010 and 2011from Connecticut, New York, New Jersey, Massachusetts, Vermont, New Hampshire, Maine, Maryland, Virginia, Missouri, Arkansas, Texas, Colorado, Washington, California and Hawaii. See below detail from the Whitney installation, 2007

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Detail from Fallen at the FLAG Art Foundation

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Fallen at the Wexner Center for the Arts, Columbus, OH

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Detail from Fallen 2004 – 2012

Spring, 2005
Fallen was first exhibited at Galerie Lelong, NY in the Spring of 2005.  That exhibition opened with 1511 leaves.

Light Now: Dazzle Paintings and Photographs at Galerie Lelong, New York

girl-lying-down

Girl Lying Down, 2011, Acrylic paint on mica over plexiglass with silver, gold, copper and palladium leaf, 29.5″ x 43.5″ x 3.75″

September 8 – October 22, 2011
An exhibition of the artist’s paintings and photographs was recently presented at Galerie Lelong in New York. This exhibition was later selected to lead the list of Art in America’s 2011 Top Ten Painting shows. Click here to view the Top Ten.  Click Art in America to read Nancy Princenthal’s review of the exhibition.

“American Printmaking Now” Travels in China

full-house-detailDetail from Full House, 1992-1993, Intaglio  silkscreen and litho with collage, 78.5″ x 51″ Edition of 32, Published by ULAE

Various Dates 2010- 2011
Full House and other of the artist’s prints were on view in this exhibition which was accompanied by a catalogue with essays  by Riva Castleman and Sarah Suzuki.  The exhibition originated at the National Art Museum of China in Beijing  then traveled in China throughout 2010/2011 with exhibitions at the Guan Shanyue Art Museum, the Zhejiang Art Museum and the Shanghai Art Museum.

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