Artist Included in Ars Publicata Print Database

 

From the Goose to the Girl (1999), Iris print, pochoir, relief and handcoloring by artist, 27″ x 26.5″, Edition of 25, Published by Pace Editions

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The artist is pleased to be included in arspublicata.com the just launched digital resource making information on fine art prints and multiples by over 400 of the world’s most significant contemporary artists freely accessible to everyone. Included are fine art editions by Claes Oldenburg, Julie Mehretu, Robert Rauschenberg, Kara Walker, Wolfgang Tillmans and many others.

The artist’s editions can be found at  Jane Hammond on Ars Publicata

Jane Hammond: Digital to Analog at Mount Holyoke Museum of Art

All Souls (Masindi), 2006, gouache, acrylic paint, metal leaf on assorted handmade papers with graphite, colored pencil, archival digital prints, false eyelashes, and horsehair, 54” x 61” x 4”

February 1 -May 29, 2022

This solo exhibition was mounted with nine pieces of the artist’s works on paper, prints and photographs, all drawn from the museum’s permanent collection.   Visit the show at Mount Holyoke Exhibition

Jane Hammond at Pace Prints New Dimensions Exhibition

A Room of One’s Own (Doubles), 2012, Hand-colored relief print with collage, 35 x 56 1/4 inches, Monotype

August 5 – September 12, 2020

The artist’s work is included in Pace Prints’ New Dimensions: Beyond the Boundaries of Printmaking.  The exhibition focuses on six artists who exemplify experimentation in printmaking in the 21st Century: Jane Hammond, Arturo Herrera, Nicola López, Santi Moix, Wangechi Mutu and Kiki Smith.  To read more about the exhibition visit Pace Prints

Family Business Introduced at Museum of Fine Arts

family_businessFamily Business, 2015, Photogravure, 22.5″ x 26″, Published by Museum of Fine Arts, St. Petersburg, Florida and Printed by Erika Greenberg-Schneider/Bleu Acier, Inc

October 17 – January 24, 2015

The artist created her first photogravure in collaboration with the Museum of Fine Arts, St. Petersburg, Florida and the printer Erika Greenburg- Schneider of Bleu Acier, Inc. The print was introduced on the occasion of the opening of the exhibition Marks Made: Prints by American Women Artists from the 1960’s to the Present at the Museum of Fine Arts in St. Petersburg, Florida. A catalogue accompanied the exhibition.

No Assembly Required at Sims Reed Gallery, London

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Bulletin Board (Water Tulip) 2014, Archival foam core, cork paper, archival digital pints, various papers, gouache, watercolor, colored pencil, rubber stamp, Mylar, various fabrics, cotton thread, silver leaf, glitter, found holographic postcard and Teddy Bear eyes, 23″ x 27″ x 3″

October 16 – November 14, 2014

An exhibition of the artist’s unique works on paper, prints and photographs was presented at the Sims Reed Gallery in London. This was the artist’s first UK solo exhibition. Click here  to view the exhibition catalogue in pdf format.

New Print “Snapshot Odyssey” Published by Shark’s Ink

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Snapshot Odyssey, 2014, Twelve color lithograph and pochoir with digital printing, chine collé and collage on white Rives BFK, Thai Mulberry, Mokume wood grain and metallic papers. 30 x 39.5″, Edition of 40

Shark’s Ink announces the publication of a new print by Jane Hammond that combines her long-standing interest in games with her passion for collecting vernacular photography.  Hammond invented Snapshot Odyssey which describes a journey played as a game that is part luck-driven race and part strategy.  Players “move” over the inter-weaving paths and encounter ten photo opportunities, scenic overlooks of a kind, as luck would have it:  a bride wading with calla lilies, a ballerina in black slippers in the snow or a robot in the desert.  A rule book accompanies the print.

Snapshot Odyssey references previous Hammond works that allude to games such as her photograph The Time Game, recently acquired by the Amon Carter museum, and her painting Mad Elga II currently on view at the Detroit Institute of Arts.

See Susan Tallman’s review of Snapshot Odyssey from the March-April 2014 issue of  Art in Print

Collaged Monoprints at Pace Prints, NY

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A Room of One’s Own (Picasso), 2013, Hand-colored relief print with collage, 35 x 56 1/4 inches, Monotype, Published by Pace Editions, Inc.

January 25 – March 2, 2013

Pace Prints was pleased to present Collaged Monoprints, an exhibition of new hand-colored monoprint drawings by Jane Hammond, created in the Pace Paper studios in Brooklyn, New York. This is Hammond’s fourth solo exhibition with Pace Prints.

A Room of One’s Own, the title given to each of the large-scale works in Hammond’s exhibition, describes the individuality of the depicted interior space based upon its invented composition, color and collaged elements. In this body of work, as always, Hammond works in a method of recombination, making an array of figures, animals and objects, combining and recombining them to create myriad and changing associations in each collage. All of this play occurs inside a recurring Renaissance-style room, with deep perspectival space. Each room is extensively hand-painted and contains up to seventy elements, individually cut out and collaged into the space. Hammond’s capacious hand-painting is combined with relief printing, linoleum block printing, etching, digital printing and rubber stamping in all of the works.  To read more about the exhibition visit Hammond at Pace Prints

Collaged Monoprints at Pace Prints, New York

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Botanical Collage #16, 2008, Relief print with collage and hand painting on prepared paper, 50″ x 38″, Edition of 1, Published by Pace Editions

April 1 -May 8, 2010
An exhibition of the artist’s botanical collages was recently presented at the East 57th gallery of Pace Prints in New York.  To read a review of the show in Art News click here

Spells and Incantations from Shark’s Ink

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Spells and Incantations, 2008, Eight-color three-dimensional lithograph and silkscreen with chine colle and gold leaf, 60.5″ x 18.75″ x 7.5″, Edition of 45, Published by Shark’s Ink

The artist’ print has been editioned by Shark’s Ink. This three-dimensional print is assembled from twenty-six individual lithographic elements. To read more about the print please visit Shark’s Ink

“Photography and the Self: the Legacy of F. Holland Day,” at the Whitney Museum of American Art

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Tabula Rosa, 2001, color inkjet print on handmade Japanese paper, 75″ x 30″ , published  by ULAE, edition of 43

December 20, 2006 – March 11, 2007
The artist’s print, “Tabula Rosa,” was included in this exhibition of prints from the Museum’s permanent collection that reflected various types of self-portrayal from the 1960s to the present, and one work that foreshadowed them all — F. Holland Day’s The Seven Words (1898).  Although each artist included took a different approach, all of the works presented intimate stories that explore some aspect of the self.

Yale University Art Gallery

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Detail from Love Laughs,  2005, 51 1/4″ x 33 3/4″, Color lithograph with hand coloring and collage, Edition of 45, Published by Shark’s Ink

December 10th, 2006 – April 1st, 2007
The artist’s prints were included along with works by Enrique Chagoya, Carroll Dunham and Kiki Smith in “Making a Mark: Four Contemporary Artists in Print ” an exhibition presented by the Yale University Art Gallery. The exhibition was curated by Elizabeth DeRose and was accompanied by a brochure.

Pace Prints

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Barberini #1, 2006, Relief print with collage, 26 1/4″ x 22 1/4″ , Edition of  1

November 30-December 23, 2006
A one-person exhibition featuring a suite of new monoprints was presented by Pace Prints in New York.

The Biella Print Triennale at the Museo del Territorio Biellese, Biella, Italy

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“Scrapbook,” 1995, print with lithography, silkscreen and collage, 55 x 46-1/2 x 10 inches, Edition of 45, Published by ULAE

March 19th -June 4, 2006
In the Spring of 2006, the artist’s prints were included in this survey of contemporary printmaking organized by  English curator Jeremy Lewison.  The exhibition was accompanied by a catalogue entitled “Art in the Age of Anxiety.”